Posted in gaming on 10/29/2008 06:52 pm by Wes
Growing up tragically deprived of video games until somewhere around the age of 10, I have the unshakable feeling that I missed out on some essential skillset that I’ll never be able to fully make up for. Additionally, the intermittent exposure I had to gaming up to that point narrowed my enthusiasm for the genre to such a degree that I had no clue what I was missing out on.
It all started with Sonic the Hedgehog. I don’t remember why, or how, but but my first real encounter with console gaming was the original Sonic on the Genesis. If it had happened to be Mario, my retro gaming ineptitude might not exist as it does today. Alas, fate caught me in its insidious web.
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Posted in Music on 09/30/2008 09:55 pm by Wes
The Rock Opera is an unusual and rare musical form that I can’t say I’m especially familiar with. The Who’s Tommy is actually the only example I could name off the top of my head; and even then, the term is a little fuzzy. According to Wikipedia, a rock opera differs from the more common concept album (a la the wonderful Sgt. Pepper’s) by being, well, operatic. The album has to have some sort of storyline, as expressed by a singer or singers who personify certain characters in the narrative or recount their adventures.
Anyway, to the point of all of this. Thanks to a timely Penny Arcade update, I learned of the band The Protomen. They have recently released a demo from their new album, which I proceeded to listen to. That was all I needed. I was entranced, but Breaking Out couldn’t prepare me for the brain fucking The Protomen were about to give me.
The Protomen’s self-titled album is a rock opera through and through. The story is based on Mega Man, and the immortal conflict between Dr. Light’s creation and the evil robot-ruling Dr. Wiley. But The Protomen tells a tale far removed from the innocent 8-bit storytelling of the original Mega Man games. It’s a dark, depressing future in which Dr. Wiley controls humanity with an army of robots. Worse, humanity is unwilling to fight for its own freedom. The album practically exudes George Orwell. Hope lies with the proles, but they won’t stand for themselves…
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